Linyan Tan (Ulrica)

RMIT Bachelor of Fashion (Design)

I reinterpreted my breast fibroma experience for this project, by exploring lingerie materials’ deconstruction and reconstruction, merging different lingerie wear sewing techniques together. The audience cannot feel the feminine characteristics when looking at the silhouette from a distance, the first thing they notice is the exaggerated silhouette, when looking closely and interacting can observe the detail highlights and underwear structure, as well as the discomfort caused by the wearing experience. The discomfort of wearing composed women, the accessories and techniques of underwear composed women. I tried to communicate this through the project and reveal the impact of this disease on women's bodies.

RMIT Bachelor of Fashion (Design)

I reinterpreted my breast fibroma experience for this project, by exploring lingerie materials’ deconstruction and reconstruction, merging different lingerie wear sewing techniques together. The audience cannot feel the feminine characteristics when looking at the silhouette from a distance, the first thing they notice is the exaggerated silhouette, when looking closely and interacting can observe the detail highlights and underwear structure, as well as the discomfort caused by the wearing experience. The discomfort of wearing composed women, the accessories and techniques of underwear composed women. I tried to communicate this through the project and reveal the impact of this disease on women's bodies.

Title: “The Hanger” | Materials: boning, mesh fabric, wire, latex | Photographer/Art: Linyan Tan | Model: Marvin Ye, Xinglai Chen | HMUA: Marvin Ye, Linyan Tan | Support: Jingwen Zhang (Lan), Yichun Wang, Anqi Zhan

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